John Soane Museum
Project By: Austin Samson
Instructor: Hernan Diaz Alonso
TA: Ivan Bernal
This project looks at creating space through the layering of
geometry and understanding the implications of carving into a thing that is not
a solid mass and instead a thing that appears solid on the outside but is
actually one continuous surface that is inflated within itself to create
volumes within volumes that can be carved into.
The notion of creating space through the layering of things
is not new, we can look at Aldo Van Eyck as a way to understand what it means
to create space though different techniques of layering with surfaces and
volumes to create courtyards, outer space, and inner space. This project aims
to re-think the way in which Van Eyck creates his space by using different
methods such as carving.
Hierarchy is achieved through the use of a Jungle as a frame
for understanding how many things inter – relate to one another. At first
glance, a jungle appears chaotic, messy, and uncontrolled. However, when one
takes a much closer look, a Jungle is a system of many things that are
intertwined and highly organized in order to create a very strict relationship
between all things that occupy the space. This project aims to do the same. Hierarchy
begins with the 6 large chunks that have been carved from the original
primitive. They have a hierarchy in themselves as the volumes within volumes
become smaller and larger depending on how each chunk is carved out. Secondary
and tertiary elements are then added that account for structure and circulation
that mitigates between the larger chunks. Solid mass is then added to take up
leftover space, and a shell is added to enclose the space. To complete the
hierarchy, architectural elements such as floor plates and stairs are added.
It is important to note that each element is its own thing
and carries its own set of characteristics, scale, and textural quality. As
equally important, elements do not blend into other elements. Floor plates are
separate objects that are not grafted into walls or other things, for example.
This is done in order to maintain the Jungle – like effect. It also forces one
to consider how two separate things react with one another and how one thing
can force another to evolve or change rather than to simply overtake it.
Corruption of the project can be found in multiple
instances. It began with the decision to create volumes within volumes rather
than a solid mass, thus dramatically changing the effect carving would have. It
can be found in the details, where edges of the carved chunks begin to puff out
like a bruised lip. Strange seems begin to appear where different things are
forced to interact with one another. Corruption can also be found in the moment
of second carving. After the space was filled with things, a second round of
carving was used to create occupiable space within the dense jungle. Here, the
insides of the chunks are ripped out, leaving behind a messy, torn version of
what it once was.
Program is dictated by breaking each chunk into multiple
levels of space, where the top floor of each chunk is used as residential space
and each subsequent floor is used for museum program. Occupiable space is found
both within the chunks and on the outside of the chunk. This allows one to
become fully immersed within the carved spaces, but still be allowed to view
the carved pieces as things within a space.
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